The Island Weights

Sky Hopinka

Sky Hopinka - The Island Weights, Installation view, Prospect 5 Yesterday we said tomorrow, 2021-22, Contemporary Arts Center New Orleans 2021 Courtesy Prospect New Orleans Photo Alex Marks

Sky Hopinka portrays the life and resistance of First Nations in North America. In his multimedial practice, he shows the ways in which culture takes shape throughout landscapes, infrastructure, social structures and poetry. The Island Weights is a film about the origin myth of Ho-Chunk (‘The People of the Great Voice’), a land stretching from the Red Banks to Trempealeau, from Minneapolis to Milwaukee. The creation story of this place starts with the chaos in the rotation of the earth. In order to tame this chaos, four spirits were placed at the Earth's cardinal points. They became the four weights that held the Earth as an island together. The film has five parts: Wijirawaséwe (the island weights), yoiréreginarere (the west), rek'úhuhíra (the south), hą́boguominàgara (the east), siniwagúreginągere (the north). In the film, we follow a traveler in search of these island spirits. He recounts his journey along the borders of the Ho-Chunk area, through land and river, lakes and forests, as well as contemporary shopping malls and urbanised areas. The traveler seeks the spirits to honor them, as an expression of his individual connection to the cosmic story of the world.

2021 - HD video, 16mm film scans, stereo, 2-channel, synchronous loop, 10'
Courtesy of the artist

Sky Hopinka
°1984, Ferndale, Washington

Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) grew up in Ferndale, Washington and spent a number of years in Palm Springs and Riverside (California), Portland (Oregon), and Milwaukee (Wisconsin). In Portland he studied and taught chinuk wawa, a language indigenous to the Lower Columbia River Basin. His work centers around personal positions of Indigenous homeland and landscape, and language as containers of culture expressed through personal, documentary, and non fiction forms of media. His work has played at various festivals including Sundance, Toronto International Film Festival, Ann Arbor, Courtisane Festival, Punto de Vista, and the New York Film Festival. His work was a part of the 2017 Whitney Biennial, the 2018 FRONT Triennial and Prospect.5 in 2021. He was a guest curator at the 2019 Whitney Biennial. He has had a solo exhibition at the Center for Curatorial Studies, Bard College, in 2020 and in 2022 at LUMA in Arles, France. In the fall of 2022, Hopinka received a MacArthur Fellowship for his work as a visual artist and filmmaker.